here's to these kids too.
Here's to the kids. Here's to the kids who would rather spend their night with a bottle of whiskey & Patrick or Sonny playing on
here's to the kids, thanks boardies
Here's to the kids Here's to the kids whose 11:11 wish was wasted on one person who willnever be there for them. Here's to thekids
everybody's gonna love today.
i have never been more happy to talk on the phone for an hour and 45 minutes.
"why are you calling me?!""i was thinking for an
ioh.
A mock CD review I did for IOH
Fall Out Boy-Infinity On High>> >> The highly awaited album from Fall Out Boy has finally made it's debut. >> Leaving fans skeptical about what this album would hold with adjectives >> such as "different" and "experimental," no one was sure what to expect, >> other than the album not being of the Folk genre. Being a Fall Out Boy >> fan since the "Take This To Your Grave" days, I was unsure what to >> expect as well.>> >> When "Infinity On High" hit the CD player in my car, I was immediately >> greeted with the first surprise. On the opening track, "Thriller," >> Jay-Z makes an appearance, stating that "We dedicate this album/to >> anybody people said couldn't make it/to the fans who held us down 'til >> everybody came around," heard over the whispered readings of bad >> reviews that Fall Out Boy incurred in the past. As the Fall Out Boy we >> all know moves in on this song, written about the music industry and >> their rise from Chicago to so-called "sell outs," you can hear the >> evolution of lead guitarist, Joe Trohman's melodic guitar riffs. >> Complementing that is the very much evolved voice of Patrick Stump, >> lead singer. >> >> Throughout the album, the sound of Fall Out Boy is very much the same >> that we all know and love, but you definitely hear that the band wanted >> to take this album somewhere, musically, that they hadn't before. >> "Thriller" is followed by "The Take Over, The Break's Over," a song >> where that Pete Wentz we all know and love writes some amazing lyrics, >> "I'm boring but overcompensate/with headlines and flash flash flash >> photography." "The Take Over..." is followed by the first single on the >> album, "This Ain't A Scene, It's Arms Race" so far I see that the songs >> on the album have a lot to do with defending their well-deserved place >> in the music industry through the lyrics and enhanced sound of their >> music.>> >> Next up on the album is the first song that changes tone, "I'm Like A >> Lawyer With The Way I'm Always Trying To Get You Off (Me & You)" This >> song could be described as a love song, but the lyrics, once again in >> true Pete Wentz fashion, don't make that blatantly honest, other than >> the chorus, "Me and you/setting in our honeymoon/if I woke up next to >> you." Following this is the song "Hum Hallelujah." this song >> incorporates an entire selection of one liners by Wentz that make you >> really remember the song. These include, "teenage love in a parking >> lot," and "I could write it better than you ever felt it." The song >> also showcases a chorus singing the traditional "Hallelujah" along with >> Stump during the bridge, a new sound for sure.>> >> The album drastically slows down within the first ten seconds of the >> next track, "Golden." Solo on piano and voice, Stump sings a ballad of >> sorts that would move anyone to tears upon first listen. Following up, >> the album picks up again with the very catchy "Thanks For The >> Memories." One of Fall Out Boy's accomplishments on this song is >> getting to work with Babyface. The song is definitely hit worthy and >> brings the band to where they sit today.>> >> "Don't You Know Who I Think I Am," "The (After) Life Of The Party," and >> "The Carpal Tunnel of Love," remind us that the band has yet to leave >> behind ingenious song titles, ingenious lyrics, or writing new and >> interesting songs. Not one of these songs sounds the same, and they all >> show how Fall Out Boy has evolved from their last album, "From Under >> The Cork Tree," in different ways.>> >> "Bang The Doldrums," "Fame < Infamy," and "You're Crashing, But You're >> No Wave," lead the CD to its closing song, "I've Got All This Ringing >> In My Ears And None In My Fingers." Each song, just like every song on >> the album gives Fall Out Boy proving ground to stand on. Catchy lyrics >> sprinkled throughout with infectious melodies and the occasional >> screaming of something completely indecipherable, thank you Pete, make >> this Fall Out Boy signature. The band definitely showed their fans >> "new, "different," and "experimental" things within this album without >> abandoning themselves.
a letter i wrote to my best friend
Dearest Darling,
Current Location: Random Computer Lab in the Liberal Arts BuildingCurrent Class: Rhetoric and Composition I: Critical Thinking/English 101.-019Current Music: “Send My Love To The
who would ever think?
i don't even care if no one reads this or if anyone reads this.
i can't get over everything in my life. i am over being
brilliance
gabanti and william.
i can't put my ipod down
this song makes my life make sense
I got my stitches stitched, I got my fixes fixed,And in my aching head I got my kisses slit.Our
look! one leg!
i took this in champaigne...it made me laugh when i looked back at it.
this is where i find the keys
beneath my fingers looking for the thoughs that i thought would mean something to you.
current song: like vines - the hush sound
while the wind whips
gym class heroes met us!
yeah, get it right.
champaigne, il
ywt tour
look, a blog. WHOOAAAAA!
wow look. a blog.
blah blah blah blog.
i am not much of a writer, because i think good things and they never can transmit out






blog
pic



